Vibhavita Rati Jabe #
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Song Name: Vibhavita Rati Jabe
Official Name: Rupanuga Bhajana Darpana Song 21
Author: Bhaktivinoda Thakura
Book Name: Gitamala
Language: Bengali
LYRICS:
(1)
vibhāvita rati jabe kriyāpara ho’ye tabe
anubhāba hoya to’ udita
citta-bhāba udghāṭiyā kore bāhya su-bikriyā
jakhana je hoya to’ ucita
(2)
nṛtya gīta biluṇṭhana krośana tanu-moṭana
huńkāra jṛmbhana ghana-śwāsa
lokanāpekhita mati lāla-sraba ghūrṇa ati
hikkadoyā aṭṭa aṭṭa hāsa
(3)
gātra citta jata saba alańkāra su-bibhāba
nigadita biḿśati prakāra
udbhāswara nāma tāra dhammilyā saḿsraṇa āra
phulla ghrāṇa nībyādi bikāra
(4)
bilāpālāpa samlāpa pralāpa o anulāpa
apalāpa sandeśātideśa
apadeśa upadeśa nirdeśa o byapadeśa
bācikānubhābera biśeṣa
TRANSLATION
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When one experiences ecstatic love stimulated by the above-mentioned uddipanas, then a natural resultant reaction occurs in one’s body. This is called anubhava. It is like opening the doors of the heart, thus releasing the emotions. When the ecstasy thus comes to the external plane, some fine physical reactions become visible, which are quite befitting of the emotions which are revealed from within the heart.
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The thirteen anubhavas are dancing, singing, rolling on the ground, crying, stretching the body, loud shouting, yawning, deep sighing, complete disregard of public opinion, drooling, dizziness, uncontrollable hiccups, and extremely loud roaring laughter just like a madman.
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It is said that there are twenty alankaras, or sensual enhancements of the body and mind. One type called udbhasvara includes letting down the hair, sniffing flowers, and adjusting the belt of one’s sari, etc.
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There are also twelve vacika or verbal anubhavas, namely 1) vilapa (words of lamentation), 2) alapa (witty flattery), 3) samlapa (conversations), 4) pralapa (frivolous babbling), 5) anulapa (repeating the same thing over and over again), 6) apalapa (giving another meaning to a previous statement) 7) sandesa (sending a message to a lover afar), 8) atidesa (to say “his words are my words”), 9_ apadesa (saying one thing to indicate something else), 10) upadesa (words of instruction), 11) nirdesa (to clarify “I am that same person”), 12) vyapadesa (to reveal the heart under another pretension).
REMARKS/EXTRA INFORMATION:
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UPDATED: July 4, 2009