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Song Name: Sri Ujjvala
Rasa Sar
Official Name: Rupanuga
Bhajana
Darpana Song 25
Author: Bhaktivinoda
Thakura
Book Name: Gitamala
Language: Bengali
LYRICS:
(1)
śrī
ujjwala
rasa
sāra         swabhābatah ̣
dwi-prakāra
bipralambha
sambhoga
ākhyāna
binā
bipralambhāśroya         sambhogera
puṣṭi
noya
tāi
bipralambhera
bidhāna
(2)
pūrba-rāga
tathā
māna         prabāsa
baicttya-jñāna
bipralambha
cāri to’ prakāra
sańgamera
pūrba-rīti   Â
      labhe
pūrba-rāga
khyāti
darśane
śrabaṇe
janma
tāra
(3)
anurakta dam- patira      abhiṣṭa
biśleṣa
sthira
darśana
birodhi
bhāba
māna
sa-hetu
nirhetu
māna          praṇayera
pariṇāma
praṇayera
bilāsapramāṇa
(4)
sāma-bheda
kriyā
dāne         natyupekhā
su-bidhāne
sahetu
mānera
upaśama
deśa
kāla
beṇu-rabe      nirhetuka
mānotsabe
kore
ati
śīghra
uparama
(5)
biccheda
āśańkā
hoite         premera
baicittya
citte
premera
swabhābe
upajoya
deśa
grāma
banāntare          priyā
je
prabāsa
kore
prabāsākhya
bipralambha
hoya
TRANSLATION
The most brilliant mellow of conjugal love has two natural divisions: vipralambha (separation) and sambhoga (enjoyment together). The pleasure felt in union cannot be properly appreciated without the experience of suffering in separation. That is the function of vipralambha .
There are four types of vipralambha , namely 1) purva -raga (preliminary affection), 2) mana
(pouting), 3) pravasa (distant sojourn), 4) prema-vaicittya (feeling separation even in the presence of the lover). The purva -raga is the infatuated condition that arises prior to union as a result of either seeing or hearing about the lover.
Mana arises when one of the attached couple starts pouting and becomes firmly determined to stay aloof from the other, being averse even to looking at the other. This particular state of affection has two sides to it, namely sahetu
mana
(pouting for a good reason), and nirhetu
mana (pouting for no reason at all). These are standard twists which commonly occur during the course of transcendental loving affairs.
Sahetu
mana can be pacified by: 1) sama (pleasing words of consolation). 2) bheda
(witty remarks), 3) kriya (worship), 4) dana (giving presents), 5) nati
(falling down at the feet), 6) upeksa (indifference). When a pouting festival is created by nirhetu
mana , it can be mitigated very quickly by being in a beautiful place, or by the passing of time, or simply by the sound of flute-music.
Prema-vaicitya comes about even in the presence of the lover by an intense fear of impending separation, thus causing an unusual transformation of the heart. This is a natural characteristic of pure prema . The symptom known as pravasa
comes about when one’s beloved has traveled to another forest, town or country. Thus there are four stages of vipralambha
(love-in-separation).
REMARKS/EXTRA INFORMATION:
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UPDATED: July 10, 2009