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Song Name: Sastra
Vidhi
Nahi Jane Kintu
Official Name: Chapter 17
Author: A.C. Bhaktivedanta Swami Prabhupada
Book Name: Gitar
Gan
Language: Bengali
LYRICS:
(1)
arjun
kahilen :
sastra-vidhi
nahi
jane
kintu
sraddhanvita
yajana
karaye
yara
kiva
tar hita
kiva
nistha tar krsna
sattva , rajotam
vistara
kaha’ta
sei
suni
iccha mama
(2)
sri-bhagavan
kahilen :
svabhavaja tin nistha
sraddha se dehira
sattviki , rajasi
ar
tamasi
gabhira
vivaran
kahi tar suna
diya
man
yar
yeba
sraddha hay gunera
karan
(3)
nija
sattva
anurupa
sraddha se bharata
sraddhamay
purusa ye sraddha ye temata
(4)
sattviki ye sraddha
sei
puje
devatare
rajasi ye sraddha
puje
yaksa
raksasere
tamasi ye sraddha
tahe
bhut
pret
puje
yar
sei
sraddha hay sei
tatha
bhaje
(5-6)
sastra-bidhi
tyag
kari ye tapasya
kare
dambha
darpa
kam rag yukta
ahankare
vrtha
upavasa
kare
kles
sahivare
sarirete
bhutgane
murkha
karsivare
amakeo
antaryami
sarira
bhitare
asurik
jana
sei tar vyavahare
(7)
ahara -o
trividha
se yathayatha
priya
sattviki , rajasi
ar
tamasi
ye heya
yajna , jap , tap, dan se-o se trividha
yar
yeva
bhed gun bhinna
vahuvidha
(8-13)
ayu
sattva
valarogya
sukha
priti bade
rasya
snigdha
sthir
hrdya
sattvika
ahare
katu
amla
lavanakta
ati
usna
yei
jvala
poda
amayi
rajasika
sei
vasi
saitya
gataras
paca
va
durgandha
ucchista
amedhya
yei
khadya
tamasandha
(14)
aphalakanksi ye yajna
vidhi-mata hay
kartavya ye mane kare
sattviki se kay
(15)
svadhyaya
abhyas
yata
ved
uccaran
vanmaya
tapasya se sastrera
vacan
(16)
cittera
prasannata ye ar
saralata
atma-nigrahadi
mouna
bhava
pravanata
sei
saba
manasika
tapa
name khyata
uparokta
saba
tapa
triguna
prakhyata
(17)
trividha
tapasya
yadi
para-sraddha-yukta
phalakanksa
yadi
nahe
sattviki
se ukta
(18)
labh
puja
sammanera
janya
dambhera
sahit
ye
tapasya
sadhe
loka
taha
rajasik
se
tapasyara ye phal
taha
aniscit
antavat
tara
phal
haya
sastrete
vidita
(19)
mudha-buddhi
yara tape atma-pida
dey
aparera
vinasartha ye tapasya
karay
tamasi se saba
yata
tapasya
vahula
alika
tahara
nam
nahe
sastra
anukul
(20)
kartavya
janiya
yei
danakriy
hay
desakal
patra
bujhi
datavya
karay
anupakarike
dan se sattvika hay
(21-22)
pratyupakarera
janya
phalanusandhan
kimba
dan
kari hay anutapavan
rajasik
dan
sei
sastrera
vicar
tamasika
dan
yaha
suna
ei
var
adesakale ye dan
apatrete hay
asatkar
avakta
yei
tamasika
kay
(23)
yajna
dan
tapasyadi
yaha
sastrera
nirnay
om tat sat se uddesye
anya
kichu
naya
se
uddesye
purva -kale brahmanadigan
 yajna
dan
tapa
adi
karila
palan
(24)
sejanya
brahmanagan ' om ’ uccarane
yajnadi
vidhan
kare
brahma
acarane
(25)
ataeva
yajna
dan
tapasyara
phal
anyabhilas
nahe
bhaktira
karan
moksa-kanksi
sejanya
yajna
dana
kare
sei se yajnadi
phal
vidita
samsare
(26-27)
sat se savdera
artha
brahma
brahma -par
se
uddesye
yata karma saba
brahma -par
yajna
dan tap karya se uddesye
kare
loukika
vaidika karma brahma
nam
dhare
(28)
se
sraddha
vina
yaha
karmakrta
hay
asat karma tar nam
sastrete
nirnay
asat karma suddha
nahe
iha
parakale
sastra-vidhi
parityage
sei
phal
phale
(29)
bhaktivedanta
kahe
sri-gitara
gan
sune
yadi
suddha
bhakta
krsnagata-pran
TRANSLATION
Arjuna
said, O Krsna , what is the situation of one who does not follow the principles of scripture but who worships according to his own imagination? Is he in goodness, in passion or in ignorance?
- The Supreme Lord said, according to the modes of nature acquired by the embodied soul, one’s faith can be of three kinds–goodness, passion or ignorance. Now hear about these.
- According to one’s existence under the various modes of nature, one evolves a particular kind of faith. The living being is said to be of a particular faith according to the modes he has acquired.
- Men in the mode of goodness worship the demigods; those in the mode of passion worship the demons; and those in the mode of ignorance worship ghosts and spirits.
5-6) Those who undergo severe austerities and penances not recommended in the scriptures, performing them out of pride, egoism, lust and attachment, who are impelled by passion and who torture their bodily organs as well as the Supersoul
dwelling within are to be known as demons.
- Even food of which all partake is of three kinds, according to the three modes of material nature. The same is true of sacrifices, austerities and charity. Listen,
and I shall tell you of the distinctions of these.
8-10) Foods in the mode of goodness increase the duration of life, purify one’s existence and give strength, health, happiness and satisfaction. Such nourishing foods are sweet, juicy, fattening and palatable. Foods that are too bitter, too sour, salty, pungent, dry and hot, are liked by people in the modes of passion. Such foods cause pain, distress, and disease. Food cooked more than three hours before being eaten, which is tasteless, stale, putrid, decomposed and unclean, is food liked by people in the mode of ignorance.
- Of sacrifices, that sacrifice performed according to duty and to scriptural rules, and with no expectation of reward, is of the nature of goodness.
- But that sacrifice performed for some material end or benefit or preformed ostentatiously, out of pride, is of the nature of passion, O chief of the Bharatas .
- And that sacrifice performed in defiance of scriptural injunctions, in which no spiritual food is distributed, no hymns are chanted and no remunerations are made to the priests, and which is faithless–that sacrifice is of the nature of ignorance.
- The austerity of the body consists in this: worship of the Supreme Lord, the brahmanas , the spiritual master, and superiors like the father and mother. Cleanliness, simplicity, celibacy and nonviolence are also austerities of the body.
- Austerity of speech consists in speaking truthfully and beneficially and in avoiding speech that offends. One should also recite the Vedas regularly.
- And serenity, simplicity, gravity, self-control and purity of thought are the austerities of the mind.
- This threefold austerity, practiced by men whose aim is not to benefit themselves
materially but to please the Supreme, is of the nature of goodness.
- Those ostentatious penances and austerities which are performed in order to gain respect, honor and reverence are said to be in the mode of passion. They are neither stable nor permanent.
- And those penances and austerities which are performed foolishly by means of obstinate self-torture, or to destroy or injure others, are said to be in the mode of ignorance.
- That gift which is given out of duty, at the proper time and place, to a worthy person, and without expectation of return, is considered to be charity in the mode of goodness.
- But charity performed with the expectation of some return, or with a desire for fruitive
results, or in a grudging mood, is said to be charity in the mode of passion.
- And charity performed at an improper place and time and given to unworthy persons without respect and with contempt is charity in the mode of ignorance.
- From the beginning of creation, the three syllables– om
tat sat–have been used to indicate the Supreme Absolute Truth [Brahman]. They were uttered by brahmanas while chanting Vedic hymns and during sacrifices, for the satisfaction of the Supreme.
- Thus the transcendentalists undertake sacrifices, charities, and penances, beginning always with om , to attain the Supreme.
- One should perform sacrifice, penance and charity with the word tat. The purpose of such transcendental activities is to get free from the material entanglement.
26-27) The Absolute Truth is the objective of devotional sacrifice, and it is indicated by the word sat. These works of sacrifice, of penance and of charity, true to the absolute nature, are performed to please the Supreme Person, O son of Prtha .
- But sacrifices, austerities and charities performed without faith in the Supreme are nonpermanent, O son of
Prtha , regardless of whatever rites are performed. They are called asat and are useless both in this life and the next.
Thus Bhaktivedanta sings the song of Sri Gita , with the hope that hearing this, Krsna conscious pure devotees will be pleased.
REMARKS/EXTRA INFORMATION:
This is the Bengali translation of Bhagavad-Gita Chapter 17 “ Ye Sastra
Vidhim
Utsrjya .”
UPDATED: February 12, 2011